PUBLICATION
ABSTRACT
Drawing on 13 months of ethnographic fieldwork in Jackson, Mississippi, this paper uses the food voice of Zenani, a working poor Black mother, as a case study to explore how structural inequalities around housing profoundly shape contemporary Black foodways in the urban South. This case study reveals how narratives in southern food studies overlook the food stories of Black folks like Zenani. For her, the southern food landscape is proliferated with social structures that dictate her foodways. By placing Zenani’s food voice in the context of southern food studies, this article proposes an addition to Angela Jill Cooley’s typology of the three main debates in the field. The fourth debate centers around the interaction between social systems, inequalities, and food access that builds on the food-centered era of southern documentary work in the early 20th century. In this way, this paper provides important implications for scholarly and public discourses in southern food studies. These implications point toward a more complete picture of southern foodways that captures the complexities of the present southern foodscape. It also contributes to the work of food justice activists and scholars in their efforts toward creating a more just future in the US South.
PUBLICATION
PREVIEW
I was in a hotel room in Oxford, Mississippi, preparing for a talk when I received a text message with a photo of Smacko holding a copy of Getting Something to Eat in Jackson. In the photo, he looked older, but still younger than his age. He held up the book proudly with a slight smile on his face. I could see that he was taking a break from eating—there was a slice of pepperoni pizza in front of him hidden behind the book. It was mid-April 2022, exactly 10 years since I had seen or heard from Smacko. I thought of him often, especially when the book was published. After the introduction, he is the first character readers meet in the main chapters. He was also my first entry point into the world of homelessness. I wondered what he would think about how I rendered his story.